Glad it is helpful! I will be posting again soon. Got a bunch of stuff done over the last 4 1/2-day weekend.This is so valuable. Thank you so much!!!
-Ron
Glad it is helpful! I will be posting again soon. Got a bunch of stuff done over the last 4 1/2-day weekend.This is so valuable. Thank you so much!!!
Thanks Kevin, The fires are pretty much done and the highways over the pass have reopened. The rains were a huge help. Skies are clear and beautiful. Just mopping up now. Concern is now with erosion. This is what happens when the government ties the hands of the forestry department so they cannot maintain the forest properly and it builds up layers of "kindling" ready to go up with the first lightening strike and wind storm.glad your at least safe from the fire danger, and i hope you (the entire area) gets some relief soon from the fire and smoke.
I rang the room after repairing the tweeter. I need to remember how to post the results. Speakers are back out of the soffit now. I ordered a set of Adam AX7 from Guitar Center, but only ONE arrived! The 2nd one is on backorder - expected around Nov 1. I haven't even powered up the single AX7 yet. In the meantime, I'm working on building the overhead cloud.have you been able to re-measure the room? just curious to see what type of results your getting.
Thanks Gullfo.Roxul 4"
I would call it closer to triangle. Actually, it’s more like 5-sided. It is a corner control room design. I first saw the concept on John’s original manual many years ago. Soundman2020 helped me re-think the room shape back in July 3, 2016 (see posts on page 2) when I tweaked the side walls to eliminate my doors with glass being smack dab in the middle of the first reflection. I realized then that I ACCIDENTALLY copied Rod Gervais’ design in his book. Here is a birds-eye diagram of the current state of the control room (minus the cloud for visibility)given a small space and nearly square room,
Sweet spot is 38% back from the front wall and the speakers focus is 16” behind that. Did that in 2016 too.however - start with speaker placement and listening position first.
The 700-pound rear bass trap design was directly provided by John Sayers, using his hemholtz trap design.once positions are good - now treat first reflections - sides, top, and back. best to do this without a desk in the room. then when you've go those covered - bring in the desk. ideally the top of the desk is very small and steeply angled to reflections from the desk are minimal. speakers on stands - reflections from the back of the desk and the "cavity" from the desk-front wall will often be a problem space - so deep absorption, resonators, etc can be effective there.
Oops! Sorry about that! I granted access for anyone with the link. Please try again!i had tried to access your REW link but it's not generally accessible and is asking me to request access.