Mini Vocal Booth - 3 Leaf Query
Posted: Mon Dec 30, 2019 12:27 pm
Hello all, I'm a long time lurker on this board and over the years have been fascinated by the wealth of knowledge and the breadth of people's ingenuity that I've witnessed. Although plenty still eludes me, I've learned an awful lot by sneaking around here listening to what people have to say about this stuff.
Please allow me to present my own, weird little scenario...
I've inherited the use of a small outbuilding on the outskirts of London, UK. It's approximately 3.5m x 3m x 2.2m high. The previous occupant was also a musician friend of mine and they had basically built a room within a room there - 4' x 2" studs set on neoprene strips fixed to a concrete floor, what looks like 100mm rockwool slab in the cavities, finished with 2 layers of plasterboard/sheetrock on the inside and two solid core doors, one being the external door and the other being the one attached to the stud room. (Both doors are set in the middle of the longest wall) The building is at the end of a 40 metre garden and doesn't directly back on to any neighbours. The nearest one being around 20 metres away. The isolation as far as I can tell without actually properly measuring it, appears "pretty good". (Yep. I appreciate that's a crap term, but that's all I have to go on at the moment) I've checked it out with having a (again, crap term) "fairly loud" decent hifi system on and for the most part all you can hear from outside are the very low frequencies, but even then one has to actually "listen" for them as the daytime outside ambient noise masks it all pretty well.
Anyway, I realise that the dimensions are far from ideal, but I'd like to turn it into a small mixing/overdub room. I would be using the room mainly for writing and mixing rock/pop and monitoring through a pair of Genelec 1030a speakers. There would also be the occasional full tilt vocal going on plus I have been offered an opportunity to record some audio books which may turn into an ongoing thing, so I'd like to squeeze in a very small voiceover/iso booth along one side and was considering doing a version of John's vocal booth design. However, I'm in a quandary as to what would provide the best isolation. Bearing in mind that the whole thing is already a room within a room, if I were to build another "room" inside that would I compromise the overall isolation by adding another leaf that the booth would bring? I realise there are other factors to consider - acoustics, bass trapping, air flow, ceiling height, etc, etc, but for now I am wondering what anyone's thoughts might be about this potential leaf issue. Another "room within a room" ? Or would it be better to build off what already exists and essentially only add two new stud walls to enclose the booth in a corner maybe. I know I could just leave it as one larger room and when doing vocals or od's just monitor through headphones but I'm erring on the side of a booth because from experience I've found that people tend to be more confident and less inhibited when they're in that slightly separated environment plus there's also a high likelihood of an amount of late night recording going on, which, as we all know, tends to be more noticeably audible to the outside world if circumstances aren't ideal.
Anyway. There you have it. What do you think guys 'n' gals? Anyone have any input? I would have put up a Sketchup file to show you what I've been thinking of, but I think I need a little while to get to grips with how to use it.
Please allow me to present my own, weird little scenario...
I've inherited the use of a small outbuilding on the outskirts of London, UK. It's approximately 3.5m x 3m x 2.2m high. The previous occupant was also a musician friend of mine and they had basically built a room within a room there - 4' x 2" studs set on neoprene strips fixed to a concrete floor, what looks like 100mm rockwool slab in the cavities, finished with 2 layers of plasterboard/sheetrock on the inside and two solid core doors, one being the external door and the other being the one attached to the stud room. (Both doors are set in the middle of the longest wall) The building is at the end of a 40 metre garden and doesn't directly back on to any neighbours. The nearest one being around 20 metres away. The isolation as far as I can tell without actually properly measuring it, appears "pretty good". (Yep. I appreciate that's a crap term, but that's all I have to go on at the moment) I've checked it out with having a (again, crap term) "fairly loud" decent hifi system on and for the most part all you can hear from outside are the very low frequencies, but even then one has to actually "listen" for them as the daytime outside ambient noise masks it all pretty well.
Anyway, I realise that the dimensions are far from ideal, but I'd like to turn it into a small mixing/overdub room. I would be using the room mainly for writing and mixing rock/pop and monitoring through a pair of Genelec 1030a speakers. There would also be the occasional full tilt vocal going on plus I have been offered an opportunity to record some audio books which may turn into an ongoing thing, so I'd like to squeeze in a very small voiceover/iso booth along one side and was considering doing a version of John's vocal booth design. However, I'm in a quandary as to what would provide the best isolation. Bearing in mind that the whole thing is already a room within a room, if I were to build another "room" inside that would I compromise the overall isolation by adding another leaf that the booth would bring? I realise there are other factors to consider - acoustics, bass trapping, air flow, ceiling height, etc, etc, but for now I am wondering what anyone's thoughts might be about this potential leaf issue. Another "room within a room" ? Or would it be better to build off what already exists and essentially only add two new stud walls to enclose the booth in a corner maybe. I know I could just leave it as one larger room and when doing vocals or od's just monitor through headphones but I'm erring on the side of a booth because from experience I've found that people tend to be more confident and less inhibited when they're in that slightly separated environment plus there's also a high likelihood of an amount of late night recording going on, which, as we all know, tends to be more noticeably audible to the outside world if circumstances aren't ideal.
Anyway. There you have it. What do you think guys 'n' gals? Anyone have any input? I would have put up a Sketchup file to show you what I've been thinking of, but I think I need a little while to get to grips with how to use it.