Questions before starting...

How thick should my walls be, should I float my floors (and if so, how), why is two leaf mass-air-mass design important, etc.

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Julián Fernández
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Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Questions before starting...

Post by Julián Fernández »

After a lot of reading and old-topic-searching, i decided to start a new topic with all the question before go any further.
This are the plans of the studio i´m planning to build.
The studio is in the terrace of my new house. So it´s really a concern trying to stop low frecuencies to go down trought the floor...
The ceiling is sloped on both rooms(3,4mts to 2,4mts - wood and roofing)
The outer wall is a brick wall rendered only rendered on the outer side.
The inside walls are simple metal frame filled with 50kg/m3 rockwool and 2 layers of 5/8 gypsum on the same side.
Here´s a couple of questions...

Floated floor:
I´m planning to float the floor as the model on SAE site, with Mason Super W pads (50 duro), 2x5" pine studs and plywood (or MDF) on top.
Should i try to float my floor at all? I read that sometimes floating a floor can make things even WORSE!

Window:
I´m using a two glasses window (8mm and 4mm thick) 1,1x0,7mts.
Should i use just 4 Mason SuperW pads to "bed" each glass?
Any other material to replace the closed cell foam?

Control Room Acoustics:
I can´t put corner bass traps behind my back, because the entrance door and the RR door are too close to the back wall (is that clear?)...
If i put branboard absorbers on the back wall and in the joints of the back wall and the ceiling, am i solving this problem (a little at least)?

One of the places where i know i should put some absortion is where the window is... (see the pic), so i have only absortion on the right side of the room... Is that too bad for room acoustics?
Last edited by Julián Fernández on Sun Jun 05, 2005 12:19 am, edited 2 times in total.
Julián Fernández
Posts: 128
Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Post by Julián Fernández »

Construction started 2 days ago!
cadesignr
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Post by cadesignr »

Should i try to float my floor at all? I read that sometimes floating a floor can make things even WORSE!
From my understanding, if the Low frequency Transmission Loss in the floor doesn't equal your walls and ceiling, what is the point. But don't take my word on that. Steve is better equipped to answer for sure. Actually, I'm just asking the same question myself.
fitz
alright, breaks over , back on your heads......
sharward
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Post by sharward »

Yes, that is the question of the ages here. I think there are at least six projects (mine being one of them) where the "to float or not to float" question is holding up progress!

I too have become further enlightened by testimony from experts here (and on other forums) that says, essentially, "floating a heavy floor is ideal, but it's a waste of money, time, and effort if your walls cannot 'keep up' with the floor. On the other hand, floating a lightweight floor (and you'd be surprised what is considered 'lightweight') is not only 'not ideal,' it could be worse than if you do not float a floor at all."

Obviously (as you have already discovered), floating a heavy concrete floor on a surface other than the ground level can be a deathly disaster. :!:

You're kind of "between a rock and a hard place" as we say here (i.e., no ideal solution), given your need for a lot of isolation and the fact that you're on the second floor above your sister's bedroom.

By the way, cool pictures -- I always love seeing project pictures, especially from around the world. However, don't get ahead of yourself -- you should determine exactly what you are going to do before demolishing anything else.
mikeklooster
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Post by mikeklooster »

Everytime someone new enters the floater deal, it seems like a new alternative is coming. And then they get sucked into our favorite little delima. Welcome, and hang on, Its a bumpy ride
hugo_inside
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Post by hugo_inside »

Hola Julian, veo que ya comenzaste tus obras.

Suerte!! :wink:
sharward
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Post by sharward »

Just in case folks have forgotten what the "before" photo looks like...

Image
Julián Fernández
Posts: 128
Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Post by Julián Fernández »

Thanks guys! I found this forum really encouraging.
Anyway... The first step is the demolition part and raising the walls that need to be made. After that, i´ll buy the materials to start building the inner walls and stuff. So, i have time to changes a couple of things if needed.
I know that my situation is not ideal (i wish it was!), but i wanna make the best of it. The idea i came up with was to float just the place where the drums will be and see what happens... If it sucks, i can still use it to raise and amp or whatever, and if works, i can float the entire floor.
The floor will be reinforced with cement... (see the pic). I know it´s not enough, but al least it´s a little more mass.
I found REALLY exciting the hole progress of making an homestudio, and i really KNOW that hurry the hole thing up is a bad idea. So, i won´t do it.

Gracias Hugo! Espero que tu estudio sea un éxito! ;)

I really appreciate all the time that you guys "donate" trying to help people all around the world to make the best possible studio that we can make.
God bless you! :)

Oh, btw, if anyone have the time to answer question by question it would be great! (yes, even greater!)
Julián Fernández
Posts: 128
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Location: Buenos Aires, Argentina

Post by Julián Fernández »

Hey guys, please don´t forget about me! ;)
Just kidding, i really respect your time... but i just can´t help myself! :oops:
knightfly
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Post by knightfly »

Here is a field test that might be as close as you could get considering weight limitations; note the stated weight per sq. foot of 32 pounds -

Can you re-post your floor specs, specifically framing size/type/material/spacing, span, etc?

I'm thinking at this time (you too, Keith) that the best approach here is to build WITHOUT floating a floor FIRST: but do it in such a way that an "inside the walls" floated floor could be added later if necessary.

Julian, in your case the weight will be VERY important. I would NOT under ANY circumstances build a "floated room", but instead first build your walls (resting these on the bridge pads is OK, but do it so you can hermetically seal around them with caulk.

Then, once the room is up, do some tests between the studio and your sister's bedroom; let her hear these so she can appreciate any IMPROVEMENT that happens due to any floating options you may be able to do.

The link at the top of the page would add 32 psf (156 kG/sq. M) to your floor weight, so you absolutely MUST involve a qualified engineer here (IIRC, you've done this but I forget the results, sorry)

By only floating the FLOOR, you will minimise the loading on your structure; keep in mind that under ideal conditions this isn't a FANTASTIC improvement, check out some of the other results here -

http://kineticsnoise.com/arch/tests/floors.html

pay particular attention to the lowest frequencies mentioned, although they will not show what happens at even lower ones; this is where m-a-m resonance comes in, and you're pretty much out of luck on that one; meaning, you can't possibly get m-a-m resonance low enough to be inconsequential with your existing construction, and have your sister live through it.

Window - do you have a sketch showing inner and outer leaf of wall, and how they connect with the window framing - specifically, will these panes be in separate, decoupled frames, and what air gap between them?

Control room acoustics - I'm assuming the "cloud" area will be where the mix desk is - so yes, for mixing the window will be a problem. That and the rear of the CR (bottom of pic) will require some movable absorbers, so you can see the talent during recording but absorb the window and rear of room during mix.

HTH... Steve
Soooo, when a Musician dies, do they hear the white noise at the end of the tunnel??!? Hmmmm...
Julián Fernández
Posts: 128
Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Post by Julián Fernández »

Steve... i agree with you. I think the best idea is to to build without floating a floor at first... then make a test and see how many transmision i´m getting on my sister´s room.
I think John use this approach (resting inner walls on neoprene) on Snapper's Studio... (see the pic)
Is that what are talking about?

What do you think about making a drum riser (with neoprene pads and rockwool), to avoid the lowest freqs to pass my floor that easily, and since that area is much smaller than the hole studio, i´m saving a lot of weight and still achieving a better low freq insolation. Is that a good idea? (see the basic layout)
Window - do you have a sketch showing inner and outer leaf of wall, and how they connect with the window framing - specifically, will these panes be in separate, decoupled frames, and what air gap between them?
Yes, they in totally independent frames... The air gap between them is 20 cm.
The control room pane beds on a frame that´s hauled in to the brick wall.
The live room has his own decoupled metal frame, where the pane rests.
(see pics) (btw, thickness showed relates to glass thickness, not walls)

You´re right about the cloud and mixing desk position... I´ll make a couple of mobile absorbers... ;)
knightfly
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Post by knightfly »

I think John use this approach (resting inner walls on neoprene) on Snapper's Studio... (see the pic)
Is that what are talking about?


Yes, exactly.

What do you think about making a drum riser

Probably the easiest way to get some improvement; if it helps quite a bit, you'll know whether to do the entire floor. Also, it will tell you better than anything just EXACTLY what resonance will do to/for you.

The glass itself with those dimensions would be about STC 49, with the TL at 50-60 hZ coming in at around 30 dB. This would be BEST case, and relies on complete seals, no hard contact between frames... Steve
Soooo, when a Musician dies, do they hear the white noise at the end of the tunnel??!? Hmmmm...
Julián Fernández
Posts: 128
Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Post by Julián Fernández »

As usual, you´re great, Steve!

Qs.
What should i keep on mind when doing the drum raiser to get the best possible results... (Should i make some calculations or is just 2x5 studs and 30mm mdf on top -with neoprene and rockwool-)

I thought the window would achieve a little better performance... Should i try to make the air gap 30mm wide? (Is that the weakest link, right?)
Julián Fernández
Posts: 128
Joined: Sat Oct 09, 2004 3:23 am
Location: Buenos Aires, Argentina

Post by Julián Fernández »

Any idea? Thanks!
SethK
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Post by SethK »

Everytime I start to think I'm starting to get a handle on things I learn something new which seems to totally change things.
sharward wrote:Yes, that is the question of the ages here. I think there are at least six projects (mine being one of them) where the "to float or not to float" question is holding up progress!

I too have become further enlightened by testimony from experts here (and on other forums) that says, essentially, "floating a heavy floor is ideal, but it's a waste of money, time, and effort if your walls cannot 'keep up' with the floor. On the other hand, floating a lightweight floor (and you'd be surprised what is considered 'lightweight') is not only 'not ideal,' it could be worse than if you do not float a floor at all."
What would be considered a 'lightweight' floor in this case? Whats the best thread here concerning this?

Thanks,
Seth
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